Sunday, 9 May 2010
Risk Assessment by Grace Peel
Tuesday, 30 March 2010
Monday, 22 March 2010
Annotation of My Bloody Valentine
In My Bloody Valentine, a number of different camera angles are used to create an entertaining opening sequence. Firstly, on the first bit of the opening, the camera zooms in very quickly towards the numerous headlines in the articles. The fast pace in which this has been done represents a matter of urgency and the amount of different articles shows a progression of time has took place.
The establishing shot of the hospital is quite ironic in my perspective as it is a place of healing even though the movie is about pain and brutal murder and disembowelling of bodies. Also it is a normal everyday location and shows a sense of a normal town before the killer is let loose. The extreme close up on the killer’s eye is both dramatic and slightly off putting to the audience, it conveys his emotions after waking up from a dream which contains memories of the mine exploding. This is also very dramatic as it is done at a fast pace which is a recurring theme in this movie. The tracking shot around the hospital as the police chief is walking about shows the full extent of the massacre that had happened after the killer had struck. It also represents the killers power as the scene is all the way around the hospital making it seem like the killer has brutally murdered everybody with ease, the close up on the bloodied hand shows the blood dripping from it telling the audience that this event had happened very recently. Deep focus is used all the way through the scenes in the hospital to emphasise the full extent of the blood and gore making it more brutal and realistic to the audience. The close up of the heart in the chocolate box also relates the brutality to the actual title which is based around Valentine’s Day. The over the shoulder shots of the two teenagers in conversation adds detail to the scene and makes it more interesting, also the medium close ups shows not only the teenagers facial expressions but also their body language to convey their feelings towards going in the mine, for example the girls worried expressions matched with her vulnerable stance shows that she isn’t sure with what they are doing at the mine. The shot of the teenagers stood behind the metal fence represents them being ‘trapped’ possibly and gives a little hint in what may happen to them.
With editing, there was not a lot to talk about due to the fact that mostly, tracking shots were used to show the full extent of the hospital scene. A flashback was added as the man was having a dream to convey his view of what happened in the mine shaft, the fire and the fast pace made the flashback very short and dramatic to entice and excite the audience.
There was a lot of zooming in, especially on the newspaper articles to show a dramatic headline giving hints of what happened in the mine shaft. Also the zooms of the faces of the bodies and the officers shows their emotions and adds discomfort to the audience. The extreme zoom in on the heart in the box represents the title of the movie and to show extreme gore to the audience to see that the killer is extremely gruesome with the way that he handles the killings.
Titles order for 'My Bloody Valentine'
Actors:
Jensen Ackles
Jamie King
Kerr Smith
Title of Movie : My Bloody Valentine
Actors:
Kevin Tighe
Edi Gathegi
Tom Atkins
Betsy Rue
Megan Boone
Casting by Nancy Nayor Battino C.S.A
Music by Michael Wandmacher
Costume Designer Leeann Radeka
Special Makeup Effects by Gary . J. Tunnicliffe
Edited by Patrick Lussier and Cynthia Ludwig
Production Designer Zack Grobler
Director of Photography Brain Pearson
Producer Jack Murray
Executive Producers John Dunning and Andre Link
Executive Producers Michael Paseornek and John Sacchi
Based on the Screenplay by John Beaird
Story by Stephen Miller
Screenplay by Todd Farmer and Zane Smith
Directed By Patrick Lussier
Tuesday, 23 February 2010
assessment 6 - organisation
assessment 6 - organisation
assessment 5 - pitch by whole group
- Low Key Lights
assessment 3 - inspiration by the whole group
Inspiration from other films J By Beckah Hornsey, Grace Peel, Katie Mclaren and Jasmine Graham.
Texas Chain Saw Massacre
Tormented
Blair Witch Project
Voodoo Theme
Puppetry scene – Stardust
Skins – TV series
assessment 3 - target audience research by Grace Peel
Assessment 3 – Target Audience
The film must not promote discriminatory behavior or language, and it can show drug taking but not promote it throughout the film. The misuse of aerosols for example is unlikely to get the go ahead in the film. The genre of horror can show strong threats and menacing behavior, although it is not allowed to show sadistic or sexualized menacing behavior. Behaviors such as hanging, suicide and self-harming can be shown, but not throughout the film, as the audience could imitate or copy it. Weapons such as guns, should not be in the audience’s face as a centre point all the time. Strong language such as ‘fuck’ can be used but not repeatedly all the time, but the strongest word ‘cunt’ can be used depending on the context and if it fits in with the scene of the film. The use of nudity is allowed in a sexual content but not with strong detail or references, along with sex can be portrayed without strong activity being shown. There can be strong verbal references to sexual behavior, but strongest references won’t be allowed unless the context is necessary. There is generally no theme around this age category as long as the film is appropriate for 15 year olds. There can be strong violence in 15 films but shouldn’t dwell on the behavior or injuries. Strong ‘gory’ images are unlikely to be seen in 15 films along with sexual violence such as rape. If there was to be sexual violence, it would have to justified strongly, although there can be references to this behavior.
The 18 certificates say that adults should be able to choose what film they want to see. The 18 certificates have the same qualities of a 15 but pushes the boundaries even more. There can be more violence, sex, weapons and language used in the films but not go beyond the certificate were the ‘R18’ films come into play. In an 18 film, there can be scenes of sex workers but not strongly as these scenes showing epic images of sex and sexual nature are rated an R18.
R18 films can only be shown in selected cinemas and venues, and there is a strict age of no person under 18. The twisting of the law is strictly not allowed in R18 films along with materials such as rape and pedophilia is strictly forbidden also. Any act of physical harm that may last cannot be shown along with strong abuse and humiliatation that is not in context with the film cannot be shown.